Jagst hike & paint project start

Eisenbahnbrücke

JAGST hike & paint, Etappe 1

Crailsheim (railway bridge)

My starting point this first day is the city of Crailsheim which you can easily reach by train. It actually feels like winter. The trees are still without leaves.

My first location for painting by river Jagst is connected to the railway, as it is the large railway bridge close to the train station. The bridge covers the river as well as a broad strip of green and a walkway.

From a car park by the river I walked down below the bridge. Besides a few ducks and some walkers-by there is no sound but the sound of the water and every now and then a train crossing the bridge. The river has this unique natural smell which you also can experience while kayaking in the area.

Today just two hours painting time so I intend to come back to this location again and do some more wandering and maybe sketch another angle of the bridge.

Material: Canson watercolour paper A3

Seen: 2 ducks, a few passers-by

2 hours of walking and painting

Weather: sunny, nearly 15° C,

Thoughts: Calm area. Good start of my project although it was too short a stay – can’t wait to come back to paint again. The earth is still wet and cold, so a stool is obligatory.

Here is how I continued:

Wehr in Crailsheim

JAGST hike & paint, still Etappe 1

Crailsheim (at the weir)

My starting point this day is again in Crailsheim. I cross the small footbridge at Tiefenbacher Strasse and wander to the first weir by the Jagst from this point direction city centre. It is about opposite the place I sat last time (railway bridge) and it is very loud because of the roaring and bubbling water. Nevertheless some ducks flew away as they saw me coming and later as I sat down they came closer again.

The movement of water and its colours are very interesting and there are extreme contrasts from the white of the bubbling water to the dark of the stones and shadows in the water. The roaring is so extreme that I actually overheard my phone.

The smell is unique and I sit on a sand bed with river shells which indicates that the water must be quite clean. After having ended the watercolour I continued my hike direction Bergwerkstrasse, then crossed another small bridge by the river, then back to the car. A good second day although again it was only two hours time.

Material: Canson watercolour paper A3

Seen:  A few ducks, a few passers-by in the distance, a friend and one fisherman

About 2 hours of walking and painting

Weather: sunny, nearly 12° C, Sahara dust in the air

Thoughts: Good fun. Equipment is good. The area is wet and cold, so a stool is obligatory. I should extend my stays to half or full day for getting more into it.

Learning: Turn phone to vibration by the weir as it could be overheard…

Federn

Jagst hike & paint project

Crailsheim
Crailsheim

JAGST hike & paint / Intro

Let me introduce you to my 2021 project.

The JAGST is a river in Baden-Württemberg. It is the main river in my area of Hohenlohe and one of three largest rivers to flow into Neckar. It’s length is about 190 km which makes it the longest of the three side rivers to Neckar river.

The JAGST hike & paint is my aim to combine my love for nature and for painting in a perfect way. There will be themes that interest me  like flora and fauna, the landscape, as well as the colours and movements of the water.

About once a week I will follow different stages, I will call „Etappe“ of the river by foot  (starting point: Crailsheim, the endpoint is not yet set ).

The initial idea is that each walking tour will be around 2 – 3 km depending on the time available. I will need to have enough time to paint and sketch at different locations by Jagst river and the surroundings, so it could be that I paint more time than I hike…

I try to continue from about the point I ended the week before in order to get a full picture of the route. There will be a description of  what I see, hear, smell, feel and paint and what I experienced along the way.

Not yet sure how long it will take, but for sure it will be a great adventure. Stay tuned for my updates of each part of the journey.

The plan is that a book and exhibition will follow.

Stay tuned weekly to get my story and update.

Yours Bettina

Ente

Painting with a triad of primaries

Today I would like to show you the process of a watercolour painting and give you a glimpse into my world of watercolour.

First is the drawing part. I use a usual lead pencil for the hand drawing and as a righthander begin from left to right in order not to smeer my paper.

Then I arrange my colours. In this case I began with a triad of primaries which are yellow, red and blue. I check in advance which colour combinations work best for my watercolour painting. This is some testing work in advance, but worth it.

The next part is glazing/layering. I put a layer of colours mixed out of the tree tones and let them dry, then next layer and again let dry and so on, till I am satisfied with the result.

I go from light to dark and put the darkest tones in the end. If ever I am not sure about how dark I want to go I make a separate value sketch.

In the end the darkest parts and the most important zones in the painting are drawn with the brightest colours.

If you or your group would like to learn more about watercolouring, you are welcome to contact me for a workshop: bettinasbilder@gmail.com

A fresh look for our paintings

Kissen

Sometimes mixed paints can look muddy or washed out and can make a painting look boring.

In my opinion the look is fresher if some of the colours that are used are unmixed and fresh to create a bright look. This does not mean that you keep your mixing palette extremely clean, as mixed colours and neutrals are absolutely needed as well.

In my upper sketch I used mixed colours all around the seat, but my focal point is the cushion and there I used a bright cadmium orange straight out of the tube.

As I start a sketch or a painting I first think about the colours I would like to use.  A good planning to get a fresh look would cover the following thoughts:

  • Keep some white space (white is our lightest colour in watercolour – you can mark the areas with your pencil if needed and erase the marks later)
  • Use bright, unmixed colours in some areas (which are probably the most important for you – focal points)
  • Care for colour temperature and
  • Value ( and if it helps, do a thumbnail first)
  • look for page composition as well as for colour composition before you start
Happy painting everybody.
 
Let me know what you do to bring a fresh look into your paintings…